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  • Compact Disc (CD) + Digital Album

    All Al Maslakh CD's are hand-numbered and packaged in colored cardboard sleeves, each with individual artwork by Lebanese artist Mazen Kerbaj

    Includes unlimited streaming of Studio One via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days
    edition of 500 

      $11 USD or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $9 USD  or more

     

  • Full Digital Discography

    24
    releases

    Get all 24 Al Maslakh Records releases available on Bandcamp and save 20%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of AAMM, It's Good To Die Every Now And Then, Nashaz, Ariha Brass Quartet, Trace, It Ended Up Being A Great Day, Mr. Allende, Gestalt Et Death, Radio Paradise: Mike Cooper In Beirut, and 16 more. , and , .

    Purchasable with gift card

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1.
09:14
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2.
07:25
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3.
03:12
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4.
20:33
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5.
06:52
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6.
12:43
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about

Recorded in 2005 and released by the Lebanese label Al Maslakh, which translates as The Slaughterhouse, Studio One documents two compatible performances at Pancake Alley, New York and Candlestick Maker in Chicago by Michael Bullock (contrabass and feedback), Mazen Kerbaj (trumpet) and Vic Rawlings (cello and surface electronics). Theirs is a quiet and occasionally tentative improvised music, allowing drones to establish an atmosphere before the players muddy it, in the process finding new directions and the means to explore them.
None of the acoustic instruments sound as you would expect them to but that's par for the course nowadays. Kerbaj, in particular, can manufacture a wide range of abrasive and percussive sounds from the mutes and resonators he introduce to the bell of his trumpet, all of which he uses sparingly and with discretion.
The lengthy "S 1.4" is introduced, rather unnecessarily, as a quiet piece - nearly all of the six tracks are quiet pieces - and is ghostly resonances billow and distort perception like mist on moorland. The track grinds almost to a halt around the 12 minute mark, and there's a flailing moment, which is nonetheless interesting to hear, before the players manage to re-establish a rapport and carry the music forward. Warts and all, this is a fine example of improvised music in the new millennium, and a good indicator that Improv still has something valuable to offer, something that no other music can provide.

Brian Marley [The Wire]

credits

released July 15, 2019

Michael Bullock: contrabass, feedback
Mazen Kerbaj: trumpet
Vic Rawlings: cello, surface electronics

All music improvised by Bullock, Kerbaj and Rawlings

Tracks 1 to 4 recorded at Pancake Alley, Troy NY on September 14, 2005
Tracks 5 and 6 recorded at Candlestick Maker, Chicago IL on September 17, 2005

Recorded by Michael Bullock
Mastered by Bhob Rainey

Artwork & design by Mazen Kerbaj
Produced in Lebanon by Al Maslakh

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Al Maslakh Records Beirut, Lebanon

Al Maslakh is a UFO created to publish the unpublishable in the Lebanese artistic scene.

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